Ira Glass' friend Lucy used to love listening to the radio psychologist Joy Browne, who she thought always had the best advice. But is it possible for someone's advice to just be too good? Ira Glass talks to Lucy to find out.

Host Ira Glass talks to Jay Allison, who is in charge of the team at This I Believe, an essay series. Jay wonders why Ira's never contributed an essay about what he believes.

We asked reporters all over the country to go out and talk to people about what they're thinking as Barack Obama gets ready to take office. We got dozens of hours of interviews.

Host Ira Glass talks to Stephen Dubner, co-author of Freakonomics, about one of the men in his book, a guy named Stetson Kennedy. In the 1940s, Kennedy, a Southerner, infiltrated the Ku Klux Klan.

Writer Thomas Frank went on the radio show On Point to talk about his book What's the Matter With Kansas? The book is about how people in his home state keep voting for Republicans even though Republican policies aren't helping them economically. But the people who called in to the radio show didn't exactly see it his way.

Host Ira Glass discusses Howard Stern, who claims that current action by the FCC will take him off the air. We hear from Congressman Fred Upton of Michigan who heads the House committee passing new FCC fines, and from Brent Bozell who heads the Parents' Television Council.

In the 1960s, the adventures of "The Greatest Crimefighter the World Has Ever Known"—Chickenman—were heard on hundreds of radio stations. On today's show, the winged warrior flies again.

Ira tells the story about how Scott first got into radio. He was listening to a story on the radio one day, thought "I can do that," and promptly hitchhiked across the country to Washington, to the headquarters of NPR.

Ira talks about those ephemeral, thrilling radio moments that you happen to catch in passing on stations far away that you never find again. Flipping through the channels.

Ira Glass worked for NPR's Morning Edition and All Things Considered for seventeen years, and shares a few thoughts on the devices he and his colleagues used to simulate the real world on those shows.

Host Ira Glass talks changing the name of the show from Your Radio Playhouse and stumbles on a more fundamental truth about naming things: The people with an investment in the name can be incredibly divisive. He consults television talk show host Joe Franklin for advice.

Ira plays tapes of his own father, Barry, who was a radio deejay in the mid-1950s. Barry gave up spinning records when he decided that he couldn't make a decent living at it, and for over a decade he was against his son going into radio, not wanting him to waste time the way he did.